1 200 35 http://rewialleyart.nz/files/original/cb8c44569fe6f3605948bdd191098367.jpg 08013dedb4043f36913fd4d0c398f130 http://rewialleyart.nz/files/original/a4eac1f8e82892d453cce2751d5e4eac.jpg 572c0667db8c0e369f46e00721995cf2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. 2013.90.42; 2013.90.43 Notes ARTH Marsden 'Notes' element. Collection of Chinese and other ceramics, and scrolls of Chinese paintings, as outlined in the last will of Harry Courtney Archer (see list of Chinese pottery and porcelain, and documentation prepared by Canterbury Museum on 01/09/2009). Chinese inscriptions on this calligraphy couplet: 萅秋多佳日西北有高樓皋北闌山麓書應啓x先生正丁亥夏四月南春裴xx Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 702051; 702052 Physical Dimensions The actual physical size of the original image 1075x390; 2085 x 385 mm (both l x w) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Calligraphy: couplet Description An account of the resource One calligraphy scroll of two; five main characters with two lines of smaller characters; no signature seals; cracking in various places. One calligraphy scroll; five main characters with two lines of smaller characters; two signature seals. Inscription as follows: 萅秋多佳日西北有高樓皋北闌山麓書應啓x先生正丁亥夏四月南春裴xx Source A related resource from which the described resource is derived Mia Tay, Tan Keng Chen http://rewialleyart.nz/files/original/5a4333d9bb4232b023951d02fb4a516b.jpg 996e8c061b90283acb0692f953518581 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. 2008.32.3 Notes ARTH Marsden 'Notes' element. Acquisition notes: Embroidered cap worn by Rewi Alley; Memorial scroll; Cased porcelain container with seal pigment; Block of pressed tea; Book 'Rewi Alley'; Book of poems by Rewi Alley; 20 autographed New Year gift booklets of photographs by Rewi Alley, ca 1965-86; 2 unpublished poems by Rewi Alley (carbon typescript copies) See correspondence for additional information. Chinese characters on this work of calligraphy: 恭祝路易. 艾黎老師八十五壽辰紀念振翼齊飛學生邱然美梁渤然張浩國余盡忠一九八二年十二月於慶陽化普代筆 seal：李化普印 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 394527 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Calligraphy: memorial Description An account of the resource One memorial scroll of calligraphy on paper with wooden ends. Commissioned by some of his older students to present to Rewi Alley on his 85th birthday, 1982. Inscription reads: 恭祝路易. 艾黎老師八十五壽辰紀念振翼齊飛學生邱然美梁渤然張浩國余盡忠一九八二年十二月於慶陽化普代筆 seal: 李化普印 Source A related resource from which the described resource is derived Mr Max Wilkinson http://rewialleyart.nz/files/original/53357e03c63cef5d4b230c1c72d66afa.jpg 0799955c7d6fce93d76027b91264a8cc http://rewialleyart.nz/files/original/5428a834b082d72952d79e0b41558546.jpg 60e38a4f4c513a70879bf1711d7cba66 http://rewialleyart.nz/files/original/d7b2a37c6c55db98c489a762804d7d73.jpg 9cc508599273a4204cacb208ce17c3f2 http://rewialleyart.nz/files/original/c4aad57567cd59cb2b50c8fd2609a9c4.jpg d167f462440e6a86ce18c6bb1747ec15 http://rewialleyart.nz/files/original/d62c9afbdee5d9ae03ff99fb7a6478e8.jpg 29093366fbba6192f9fc3c0746521b20 http://rewialleyart.nz/files/original/be008ef4d3d341bd3f34f9af536634f3.jpg 816d5858b8a4da95abf824e6e355e470 http://rewialleyart.nz/files/original/6987791dee33d3fd17a71a108f129e13.jpg 854f173a19332a1c5c9b7666d92cd1e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1960.45 Notes ARTH Marsden 'Notes' element. Literary content: Title: 大唐中興三藏聖教序 (Great Tang Restoration Preface to the Saintly Teaching of the Three Baskets), or, (Preface to [the Translations of] Sacred Teachings [Prepared by] the Master of Three Canons during the Period of Resurgence of the Great Tang) The literary content was written by the Tang emperor Zhongzong (656-710 AD). According to the inscription at the end, the manuscript was scribed by Fahui, a monk from the Xichongfu Monastery, by the Emperor Zhongzong's order. The manuscript was completed on 5 March 708 (AD). 蓋聞蒼蒼者天，列星辰而著象；茫茫者地，奠川岳以成形。仰觀天文，既如彼也；俯循地理，又若斯焉。夫以妙旨幽微，名言之路攸絕；真如湛寂，性相之義都捐。然則發啟心聾，資法雷之激響；獎導迷眾，俟覺首以司方。故知假名不壞於常名，樂說乃詮於無說。至若象外之象，獨稱三界之尊；天中之天，爰著六通之聖。法王利見，孕育於七十二君；梵帝乘時，牢籠於萬八千歲。周星閱彩，言符誕降之徵；漢日流祥，載葉通神之夢。故能威揚沙劫，化彼塵區，玉毫舒耀而除昏，金口宏宣而遣滯。破煩惱之賊，詎藉干戈；壞生死之軍，惟憑慧力。闢圓明之界，廣納於無邊；開常樂之門，普該於有識。縱使浮天欲浪，境風息而俄澄；漲日情塵，法雨г而便廓。歸依者銷殃而致福，回向者去危而獲安。可謂巍巍乎其有成功，蕩蕩乎而無能名者矣。但四生蠢蠢，未悟無常；六趣悠悠，俱纏有結。詎智空華不實，水月非堅，馳逐於五陰之中，播遷於三界之域，納諸品匯，終俟法門。自白馬西來，元言東被，世尊則隨類敷演，眾生乃逐性開迷。馬鳴擅美於瓊編，龍樹騰芳於寶偈。於是遙通震旦，遠布閻浮，半滿之教區分，大小之乘並騖。澄安俊備，接武於勝場；琳遠高人，駢蹤於法宇。遂使微言著範，歷千古而暢英聲；至賾流規，周十方而騰茂實。頃屬後周膺運，大扇魔風，遂使天下招提，咸從毀廢；寰中法侶，並混編省｀島⺶°旨澎居，空留宴坐之處；荒涼慧苑，無複經行之蹤。爰洎開皇，重將修建，旋逢大業，又遇分崩。鬼哭神吟。山鳴海沸，既遭塗炭，寧有伽藍。正法消淪，邪魔增長，於是人迷覺路，幕仂犢膆之區；俗蔽真宗，羈絆於蓋纏之內。我大唐之有天下也。上凌巢燧，俯視羲軒，三聖重光，萬邦一統。威加有截。澤被無垠，掩坤絡以還淳，亙乾維而獻款。再懸佛日，重補梵天，龍宮將八柱齊安，鷲嶺共五峰爭峻。大宏釋教，諒屬皇朝者焉。大福先寺翻經三藏法師義淨者，範陽人也，俗姓張氏。五代相韓之後，三台仕晉之前。朱紫分輝，貂蟬合彩。高祖為東齊郡守，仁風遠扇，甘雨隨車，化闡六條，政行十部。爰祖及父，俱厭俗榮。放曠一邱，逍遙三徑，含和體素，養志恬神。摘芝秀於東山，挹清流於南澗，可謂尋幽丹嶠，棲偃白□。皋鶴於是吞聲，場駒以之縶影。法師幼挺明悟，夙彰聰敏。才逾辯李之歲，心樂出家；甫過游洛之年，志尋西國。業該經史，學洞古今。總三藏之元樞，明一乘之奧義。既而閒居習靜，息慮安禪，托彼山林，遠茲塵累。三十有七，方遂雅懷。以咸亨二年行至廣府，發蹤結契，數乃十人，鼓棹詈劍惟存一己。巡南溟以遐逝，指西域以長驅。歷岩岫之千重，凌波濤之萬里。漸屆天竺，次至王城。佛說法華，靈峰尚在；如來成道，聖躅仍留。吠奢城中，獻蓋之跡不泯；給孤園內，布金之地猶存。三道寶階，居然目睹；八大靈塔，邈矣親觀。所經三十餘國，凡歷二十餘載。菩提樹下，屢攀折以淹留；阿耨池邊，幾濯纓而藻鑒。法師慈悲作室，忍辱為衣，長齋則一自資，長坐則六時無倦。又古來翻譯之著，莫不先出梵文，後資漢譯，摭詞文憑於學者，銓義別稟於僧徒。今茲法師，不如是矣。既閒五天竺語，又詳二諦幽宗，譯義綴文，咸由於己出；措詞定理，匪假於旁求。超漢代之摩騰，跨秦年之羅什。所將梵本經僅四百部，合五十萬頌，金剛座真容一鋪，舍利三百粒，以証聖元年夏五月方屆都焉。則天大聖皇帝出震膺期，乘乾握紀，紹隆為務，宏濟為心。爰命百寮，兼整四眾，虹幡手彗日，鳳吹遏□，香散六銖，華飄五色，鏘鏘濟濟煒煒煌煌，迎於上東之門，置於授記之寺。共于闐三藏及大福先寺主沙門複禮西崇福寺主法藏等翻《華嚴經》，後至大福先寺，與天竺三藏寶思未多及授記寺主惠表沙門勝莊慈訓等譯《根本部律》。其大德等莫不四禪凝慮，六度冥懷，懸法鏡於心台，朗戒珠於性海。詞林挺秀，將覺樹而聯芳；慧炬揚輝，澄桂輪而合影。渾金璞玉，諒屬其人。誠梵宇之棟梁，實法門之龍象。已翻諸雜經律二百餘卷，繕寫雲畢，尋並進內。其餘戒律諸論，方俟後詮。五篇之教俱明，八法之因備曉，鵝珠尚護，蟲命無傷。浮囊必取於不虧，油缽終期於靡覆。崇聖教之紀綱，啟含生之耳目。伏願上資先聖，長隆七廟之基；下逮微躬，恆佐九天之命，遷懷生於壽域，致薄俗於淳源。歲稔時和，遠安邇肅，顧以萬幾務總，四海事殷，用憑乙夜之餘，式贊彌天之德。課虛扣寂，聊題序云。 HANDLE WITH CARE Original Buddhist Sutra of 7th century (probably Dunhuang) on paper made from paper mulberry, scented with sandalwood. Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 118326 Physical Dimensions The actual physical size of the original image 245x1787mm (L x W) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Calligraphy: sutra Description An account of the resource One painted figure of a bodhisattva and calligraphy. Title of inscription: 大唐中興三藏聖教序 (Preface to [the Translations of] Sacred Teachings [Prepared by] the Master of Three Canons during the Period of Resurgence of the Great Tang) Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The literary content was written by the Tang emperor Zhongzong (656-710 AD). According to the inscription at the end, the calligraphy was written by Fahui, a monk from the Xichongfu Monastery, on the order of Emperor Zhongzong, and completed on 5 March 708 AD. Modern copy. Likely delivered to Canterbury Museum by Rewi Alley during his visit to New Zealand in 1960, or by Warren Freer, M.P., Prof WT Airey and EG Beardsley in 1959. http://rewialleyart.nz/files/original/157e47a1494618386079ca9d7711e357.jpg 7d4bca91a828308aabe769411d3b436e http://rewialleyart.nz/files/original/2b6e62ae77fcb7f7d48c2018ea3773cf.jpg 5c3a21fcfe1e54ee21c6b3e97f08c2ab http://rewialleyart.nz/files/original/48d3a3ff64d18645868cc22d8f6994ff.jpg a845025595ca56a6ecd79236bc622206 http://rewialleyart.nz/files/original/5c89255258ca24c93a01d6d533d632da.jpg 26e0ce34c4e87258e07551492fcfb185 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1956.70 Notes ARTH Marsden 'Notes' element. C1956.70 1932.26.3 E2671 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 143475 Physical Dimensions The actual physical size of the original image 233x630mm (L x W) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Calligraphy: Tibetan Description An account of the resource One Tibetan holy script from Lamasery in Inner Mongolia. Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Given to Canterbury Museum by Alley in 1932 during a visit to New Zealand. http://rewialleyart.nz/files/original/1091d866852b9f1e529fca049853ddfa.jpg a7c3b92c8601302c2547e9e4671de180 http://rewialleyart.nz/files/original/7d876de62b536d3bb06d67b8b708291e.jpg c422c83e9830c953da422d6b45cdbde1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1956.317 Notes ARTH Marsden 'Notes' element. Two lines of inscriptions on the right are - 機聲迭奏豐年曲李明亮寫於昌江客邸, literally meaning " The sounds of the organics take turns playing the tune of a bumper harvest year. Li Mingliang paints in the guest mansion of Changjiang”. Several lines of inscriptions at the top left indicates that this porcelain painting was selected as a gift for Li’s friend Ronghui in the year of 193X. A painter from southern Anhui, Li Mingliang was a master of porcelain painting during the Republic of China (1911-1949). Li experted in and has been famous for grass-and-insect painting. Many claimed-to-be Li’s enamel paintings are in circulation in today’s Chinese art market. There are also not a few forgeries. Li Mingliang was posthumously awarded the title of Chinese Ceramics and Porcelain Painting Masters. (Xiongbo) Grasshopper on spray, in overglaze enamels. DK 15.10.15 Period Chinese dynastic period. Republic of China (1911-1949) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 118552 Physical Dimensions The actual physical size of the original image 197x126x3.04 (l x w x h) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ceramic: plaque Description An account of the resource One rectangular glazed white ceramic plaque. Obverse presents a multi-coloured design of a cicada on a spray of grasses and flowers. At upper right are two lines of writing: 機聲迭奏豐年曲李明亮寫於昌江客邸 ('The sounds of nature take turns playing the tune of a bumper harvest year. Li Mingliang paints in the guest mansion of Changjiang'). Inscription at the top left indicates that this porcelain painting was selected as a gift for Li’s friend Ronghui during the 1930s. Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. A painter from southern Anhui, Li Mingliang was a master of porcelain painting during the Republic of China period, and known for grass-and-insect painting. He was posthumously awarded the title of 'Chinese Ceramics and Porcelain Painting Master'. Part of a collection Alley gave to Canterbury Museum during Museum director Roger Duff's trip to China in 1956. http://rewialleyart.nz/files/original/860787b0b02a4af014ce05ff7b91084a.jpg 492ecfb99eb671a071af5a919d14f854 http://rewialleyart.nz/files/original/32ade490e1769a1e77f657a7f5222f4e.jpg 8bb6d5eb7392c30caf7f5bdba2845e29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77E Period Chinese dynastic period. Qing Dynasty (1644-1911) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814931 Physical Dimensions The actual physical size of the original image 1235 x 655mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: ancestor portrait Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted to Canterbury Museum by Alley on a visit to New Zealand in 1937. In 1949 loaned to the poet William Hart-Smith (1911-1990), who worked in adult education in South Canterbury. Description An account of the resource One ancestor portrait. http://rewialleyart.nz/files/original/efb1c978c67bbfdc9bb2170102f285c5.jpg a0e7933f4e8f93e44c0af115ad710428 http://rewialleyart.nz/files/original/41ec610ee024fbaac702400f428301b5.jpg 971dbbc9d281be23863b8642f156a61e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77F Notes ARTH Marsden 'Notes' element. In 1929: 'In Peking he spent time at the old palaces and temples, limiting the number so that he could "see them properly in the time [and] not spoil the best by hurry". He bought at the Lama Temple two scrolls of the Ch'ing dynasty in Manchu and Chinese characters which he later sent to the Canterbury Museum in Christchurch.' Willis Airey, A Learner in China: a life of Rewi Alley, p.94. See letter Duff-Garland 9/9/1954 CMR 3/1, B61, F113 Period Chinese dynastic period. Qing Dynasty (1644-1911) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814932 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: ancestor portrait Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted to Canterbury Museum by Alley on a visit to New Zealand in 1937. In 1949, loaned for exhibition to the poet William Hart-Smith (1911-1990), who worked in adult education in South Canterbury. Loaned to Margaret Garland (1903-1998) for an exhibition of Chinese art at The Architectural Centre Gallery, Wellington, and Auckland Art Gallery, in 1954. Description An account of the resource One mounted ancestor portrait. http://rewialleyart.nz/files/original/e79b5f6e2b62a0a11d8e0da42b285db1.jpg 59c03408f8087f2ccad3a3657a7dee8e http://rewialleyart.nz/files/original/8b845fe322db33bf69169566acb5df21.jpg 191370accd8412f81835d8ed853572e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77G Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: ancestor portrait Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted to Canterbury Museum by Alley during a visit to New Zealand in 1937. In 1956, loaned to the Rewi Alley Chinese Art and Crafts Exhibition, held at the Provincial Council Chambers, Christchurch. Description An account of the resource One mounted ancestor portrait. http://rewialleyart.nz/files/original/0d1896b6916c8000ecf821f533d7a211.jpg 6d6052c85062fc7a88fffbf0b18671f6 http://rewialleyart.nz/files/original/13bfc5409642fae6252a8f12c3e299c9.jpg 29ac3db74da002545982f93e9c74d3cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1958.93 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 117955 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: bamboo Description An account of the resource One painting in ink of bamboo. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Presented in 1958 by P.J. Alley to Canterbury Museum, from the home of Alley's late parents. http://rewialleyart.nz/files/original/7d3dda6526a1886b4feabc5fc6600b97.jpg a96f16b0447ca430a82f10bfea707f3d http://rewialleyart.nz/files/original/5191bfc1a46d5527191a6f152036cee2.jpg e3483e9937d11047a297a02bf474e401 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1956.674 Notes ARTH Marsden 'Notes' element. This work, painted by the famous 20th century Chinese painter Li Keran, is a gift to Rewi Alley. The Chinese inscription and the seal are as follows: 1. 霜葉紅於二月花 (meaning "frosted leaves are as red as the February flowers”) These seven characters on the far right of the work, divided between the second and the third character by the twigs and red leaves, is taken out from a popular Tang Dynasty quatrain “Shan Xing” (Mountain Trip): Climbing to the cold distance of this winding stony path, leading to a place of white clouds where people live, I stop my carriage and sit in appreciation and love of the evening maple trees, where frosted leaves are as red as the February flowers (spring flowers). 2. 艾黎先生方家雅教可染敬贈 (Mr. Alley, the master, please kindly point out my inadequacies. Respectfully presented by Keran.) This inscription is on the top right. I’m not sure about how to translate the first part, so I list the meanings of the constituent terms as follows: 艾黎: Alley 先生: Mr. 方家: a person who is well versed in certain skill, art, etc.; master. 雅教: [modest] would you kindly point out my inadequacies 3. 可染畫 (painted by Keran) This inscription is on the bottom right. 4. Three seals: Seal on the top right: 李 (Li) Seal on the bottom left: 李 (Li) Seal on the bottom right: 可染 (Keran) Two of the seals indicate his family name - Li; the third seal his given name - Keran. (Xiongbo) Physical Dimensions The actual physical size of the original image 700X467 (Image); 563mm (Closed Scroll) (L x W; L) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 119592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: boy and water buffalo Source A related resource from which the described resource is derived Rewi Alley Creator An entity primarily responsible for making the resource Li Keran (1907-1989) Description An account of the resource One mounted painting of a buffalo tethered to a peg and a boy lying in a tree. Inscriptions as follows: 1. Top right: 霜葉紅於二月花 (frosted leaves are as red as the February flowers) 2. Middle and left: 艾黎先生方家雅教可染敬贈 (Mr. Alley, the master, please kindly point out my inadequacies. Respectfully presented by Keran.) 3. Bottom right: 可染畫 (painted by Keran) Seals as follows: Top right: 李 (Li) Bottom left: 李 (Li) Bottom right: 可染 (Keran) Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This work, by the famous 20th century painter Li Keran, was a gift to Rewi Alley. The collophon on the right 霜葉紅於二月花 (frosted leaves are as red as the February flowers), divided between the second and the third characters by twigs and red leaves, is from a popular Tang Dynasty quatrain by Du Mu, 'Shan Xing' (Mountain Trip): 'Climbing to the cold distance of this winding stony path, leading to a place of white clouds where people live, I stop my carriage and sit in appreciation and love of the evening maple trees, where frosted leaves are as red as the February flowers.' http://rewialleyart.nz/files/original/a0628315a9a5b18998de5316235a445f.jpg 3c84471b0506f7a22533508253ba1483 http://rewialleyart.nz/files/original/c916b91622cde5362c3b790f87834886.jpg fc41ef441de6ea3d7d2af1ff9c384100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.8 Notes ARTH Marsden 'Notes' element. Chinese inscription: 明永樂像 (Image of Ming Emperor Yongle) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. Physical Dimensions The actual physical size of the original image 518x259 mm System ID Canterbury Museum 'System ID' field. 814934 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: figure Description An account of the resource One painting on silk of the Yongle emperor (1360-1424). Inscription as follows: 明永樂像 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted by Alley to Canterbury Museum during a visit to New Zealand in 1937. http://rewialleyart.nz/files/original/ec43a54b5c453232d3b386b60957be40.jpg 2320f12ccae27d0b5c86f926647e7974 http://rewialleyart.nz/files/original/c508e02b54476503b616c7b4a23d142f.jpg accdeba274a734f8420ea36cd51aed8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1956.673 Notes ARTH Marsden 'Notes' element. Liu Hai is a famous Taoist figure who is also the founder of the Quanzhen School of Taoism. <https://zh.wikipedia.org/wiki/刘海> (Xiongbo) Painted on paper, depicting corpulent male figure wearing loin cloth only (and with breasts and belly exaggerated as in treatment of Ho Shang), playing flute and standing on a toad or frog in water. Described by Rewi Alley as "sun-god boy (Liu Hai)". Gordon McArthur can find no mountain of Liu Hai in the folk lore (possibly name of artist) and considers this version might be in error for the woman Huang Hsien, portrayed riding on a toad through the waves (cf Japanese Ko Shin). Note by Rewi Alley: "There are very many kinds of pictorial representation of Lieu Hai and his girlfriend changed into a three legged toad who afterwards went to the moon and became Chang O in her original form. She is alone there in her moon palace of jade. Lieu Hei is usually the irrepressible country boy. He feeds the toad on copper cash. The legend very like that of Horus and his girlfriend who also became a frog and went to the moon. There are many Ming brass figures of Lieu Hai, and countless pictures of Sung, Ming, and up to the middle of Ch'ing....I think they show a legend that probably started in the Asian heartland from which the potters came who descended into the valley of the Milo first and lorded it over the people there. Ancestors of those who in later stages came east and the Pai Sing who lorded it over the Li Min in Central China and made Shang and Yin. Physical Dimensions The actual physical size of the original image 828x413 mm (l x w) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 119594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: figure Description An account of the resource One painting on paper of Liu Hai (a god of wealth) standing on a toad and playing the flute. Source A related resource from which the described resource is derived Rewi Alley http://rewialleyart.nz/files/original/044e8a132b8972f505849ce278f86e4e.jpg ff4855fd3b62dd6a8de8cea031c9994d http://rewialleyart.nz/files/original/7209c400a7200e35122f22e1f2b28862.jpg 8157aa759617c644d77276c68a5f1867 http://rewialleyart.nz/files/original/7bc2c196cdafd36e3ca37bdbada6e873.jpg 8440baeffae27487e6b705c2d7a3081b http://rewialleyart.nz/files/original/324baba565c70a391743dabcce38c01e.jpg 308ddd212373fe32cdb168544684c200 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1960.82 Notes ARTH Marsden 'Notes' element. Chinese inscription on the top: 第十一孝蔡順拾椹 (“The eleventh finial exemplar: Cai Shun - Picking Mulberries For His Mother). There are twenty-four filial exemplars in ancient China, and Cai Shun is one of them, ranked the eleventh. Cai Shun’s story is recorded in the book The Twenty-four Paragons of Filial Piety: During the Han Dynasty, there lived a devoted son named Cai Shun, whose father passed away when the boy was quite young. He and his mother relied on each other to survive the days and years. Wang Mang had just usurped the throne at that time, and the entire country was in great commotion, suffering a famine, a drought, and a civil war in progress all at once. The people suffered from these dire calamities, many families starved, and those who could manage to do so, were forced into the fields to forage wild plants and roots for food. Often, decent men turned to banditry and robbery, just to pass this time of hardship. The roads were infested with gangs of thieves; the forests were havens for the homeless and the desperate. One day Cai Shun took two wicker baskets out into the woods to gather mulberries for his mother. Beneath the trees he ran into two wicked looking robbers. They were carrying long sharp swords and their faces were cruel and dark. "Hey kid, don't you want to live? How do you dare invade the big Boss's territory?" shouted the biggest of the bandits. Little Cai Shun was scared speechless. The smaller bandit looked closely at the boy's work, planning to eat anything of value. "Child, why are you tossing that fruit into two baskets?" Cai Shun answered in a trembling voice: "The black mulberries are riper and sweeter. I give those to my mother. The red ones are not ripe, but sour. Those I eat myself, sir. I hope you two gentlemen will not kill me or else my mother won't have anybody to look after her." The boy's earnest simplicity and honest answer touched the two thugs' heart of compassion. Remembering their own parents' suffering, they decided not to harm Cai Shun. Instead they supplied him with food and drink, and released him back to his mother. A verse in his praise says: <blockquote>The black mulberries went to feed his mother, Whose blouse was stained with tears from hunger's pain; The red-browed thugs heard his filial thoughts: Then gave him meat and rice and set him free. The above translation of the story is from: <http://www.ruf.rice.edu/~asia/24ParagonsFilialPiety.html> Xiongbo </blockquote> Physical Dimensions The actual physical size of the original image 870x782 mm (l x w) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 118406 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: figure Description An account of the resource One painting featuring the eleventh of The Twenty-four Paragons of Filial Piety (Ershisi xiao), according to Guo Jujing (fl. 1300). Here Cai Shun collects mulberries for his mother. He explains to the rebels that the basket of sweet berries is for his mother and the basket of sour berries for himself. Inscription as follows: 第十一孝蔡順拾椹 Source A related resource from which the described resource is derived Rewi Alley http://rewialleyart.nz/files/original/b716debdf133824e150f87a82700e704.jpg f9e7f0648f6c06f6f42d10ca6aa5cef4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. 1954.75.1; Notes ARTH Marsden 'Notes' element. This will get a new Vernon record under the assigned number 1954.75.1. Other ID 51_001 (HS 4/2/16). Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814935 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: figures http://rewialleyart.nz/files/original/2b0dcaca6adc61ccc99313dd34b72e9e.jpg 72236c6f5a24bc8b406b72f82df069e2 http://rewialleyart.nz/files/original/680fdc02a1411338e018062bb1fcd6e8.jpg 4217ea798d4704b63a943057ee014df4 http://rewialleyart.nz/files/original/5e16fdb18c56319ae01fbd617e78276b.jpg 1372a81cc34647244cf27ee0aa722381 http://rewialleyart.nz/files/original/d8cff3e98e066e0ed1aae093854ee66c.jpg c1eb30b2bdd046c46a8001428d7aef96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1958.91 Notes ARTH Marsden 'Notes' element. inscription by the painter: 東圃三弟大人正小齋張之溶畫（For Your Excellency, my brother, Dongpu. Painted by Zhang Zhirong.) Zhang Zhirong is a Qing Dynasty painter based in Jiangning (today’s Nanjing, Jiangsu Province). (Xiongbo) Period Chinese dynastic period. Qing Dynasty (1644-1911) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 6061 Physical Dimensions The actual physical size of the original image 1375 x 680 mm (l x w) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: figures and buffalo Description An account of the resource One horizontal painting of figures and two mounted buffalo. Inscription as follows: 東圃三弟大人正小齋張之溶畫（For Your Excellency, my brother, Dongpu. Painted by Zhang Zhirong) Creator An entity primarily responsible for making the resource Zhang Zhirong (fl. 1796-1820) Source A related resource from which the described resource is derived Rewi Alley http://rewialleyart.nz/files/original/0733e75d10b369649125bb65ac058efc.jpg 438830b5a41cc16b8fb44f1fb114751c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1958.72 Notes ARTH Marsden 'Notes' element. Chinese inscription content: 味青／李樹滋／寫於／白下／葆真／書屋／時丁酉／之冬 Inscription translation: Weiqing, [also called] Li Shuzi, painted in Baozhen Studio, Baixia [district of Nanjing), in the winter of Dingyou year (1957). Seal: 樹滋賦色 (meaning "Shuzi painted with colour”) Li Weiqing (1909-1997) was a 20th century master of flower-and-birds painting. Based in Nanjing, he was equally famous as Qi Baishi in the 1950s. Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 117827 Physical Dimensions The actual physical size of the original image 315 x 165 mm (h x w) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: flowering lotus Description An account of the resource One painting on paper of flowering lotuses. The inscription and seal are as follows: 味青／李樹滋／寫於／白下／葆真／書屋／時丁酉／之冬 (Weiqing, [also called] Li Shuzi, painted in Baozhen Studio, Baixia [district of Nanjing), in the winter of Dingyou year [1957].) Seal: 樹滋賦色 ("Shuzi painted with colour”) Creator An entity primarily responsible for making the resource Li Weiqing (1909-1997) Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Li Weiqing (1909-1997) was a 20th century master of flower-and-bird painting. Based in Nanjing, he was equally famous as Qi Baishi in the 1950s. http://rewialleyart.nz/files/original/ca1dfbacd6c37e70ac64b91fda421e86.jpg 27856a1dc7dae55792be321d837bab4a http://rewialleyart.nz/files/original/08b18eefec16f2fabc6f3531fc314386.jpg 322f14d7efdf10a383e15635b56ca851 http://rewialleyart.nz/files/original/d3df4fda0b54b633b0053e08c33f597b.jpg 017594edaa813c794945aed892cc01a1 http://rewialleyart.nz/files/original/7fb58d1d4fa3a3d582cd1bbdde6b841e.jpg 72962acc4189eec9a1838194977ec84d http://rewialleyart.nz/files/original/384f5a67f153880bdb5ba061cb1d4125.jpg dc2e6add5f899e9e93b281b09188c965 http://rewialleyart.nz/files/original/2424b0c331f33b35fc68ebe10e6b1cef.jpg afe30fc54ba64394e4bb53f8c93cc558 http://rewialleyart.nz/files/original/ba8fa37db2685253477486a843dc0ef7.jpg 2c5bc86f5a7c2f02ebe36ba5789f647b http://rewialleyart.nz/files/original/56e95757ddb6a434b01c9eb752c956fc.jpg b8424050f280129dffb7b45f47ead3ab http://rewialleyart.nz/files/original/4ea5f71af556667aee53070da7f74276.jpg 48b0e17c6022cc0582641ccc39f9d501 http://rewialleyart.nz/files/original/3129bac7efe2af00da4187401f1928c8.jpg 9e84b194b0aa6fadacad73cb7f984cb0 http://rewialleyart.nz/files/original/93715695b2b9b7ab4aabfb30f705e63c.jpg cd1022640dbcd379e87cdf4d7d4d1194 http://rewialleyart.nz/files/original/17d3543211dfb603c725faf430de91bd.jpg c8af5279621194177f51c3be59e5d50c http://rewialleyart.nz/files/original/6feff35389d5dc7fb51a246130bfbf31.jpg 5fc512ba694979a9800f3b76995d7674 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1956.671 Physical Dimensions The actual physical size of the original image 313x5925 (Image), 310x65mm (Closed Scroll) (All L x W) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 119587 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: landscape Description An account of the resource One horizontal painting on silk of a landscape. Source A related resource from which the described resource is derived Rewi Alley http://rewialleyart.nz/files/original/12280843e98a33e220d0ce2f2636362a.jpg b00a3ec7c8ed226962a9004d5e54fcc7 http://rewialleyart.nz/files/original/07bef2da8d674320e71edf66cdd5d9a8.jpg b03007b7d0329c48f4e9f9d0469e05d4 http://rewialleyart.nz/files/original/e5bb49ccdaba36b09601b3dd9a3d0e84.jpg c1f9a8a604b03a0a50f67b9e689c6f04 http://rewialleyart.nz/files/original/0e40f58267f452a6632ed585a07df70b.jpg 453f31e4c1305b17159a6dd16269c3ad http://rewialleyart.nz/files/original/3aada276f5e249871ebc097eba7d9235.jpg 7ab613cc46d89d97512341602b4a3965 http://rewialleyart.nz/files/original/e686bee63bdacd8c22032f133ec8876d.jpg e67ca054be459b0c39ebb68d3cabbde2 http://rewialleyart.nz/files/original/4637007e032b2e57a78716c7e77c4a1a.jpg 8b115ebfaad173e0c6ff283e91f45657 http://rewialleyart.nz/files/original/acd92d2e0d95835d52ba3089de938c1c.jpg d8411f10d0c983d6172b5619e5913555 http://rewialleyart.nz/files/original/9218c5247d59cf699194b0f85bdb7be2.jpg 630253b269f13e6dc9b6972fb4e26b31 http://rewialleyart.nz/files/original/1c92cdc6900d17b99d2db1cc697954c9.jpg 5637020025ea863d04267fe99a7dc8c0 http://rewialleyart.nz/files/original/7e5093825dc338a73ee9b5aa1b76dbdd.jpg 54808de5f71fb3efa2ac0c2e35c55edc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1956.672 Notes ARTH Marsden 'Notes' element. Chinese inscription content: 西蜀圖庚子春三月既望錢塘戴文進 Inscription translation: Scroll of Western Shu. In the spring of Gengzi year, mid-March, Dai Wenjin from Qiantang [paints]. Two seals: Up: down: 靜庵 (Jing An) 西蜀圖: Western Shu (today’s Sichuan Province) 錢塘: Qiantang (today’s Hangzhou, Zhejiang Province) 戴文進 : Dai Wenjin. 靜庵: Jing An, a sobriquet of Dai Jin. "Dai Jin, Wade-Giles romanization Tai Chin, courtesy name (zi) Wenjin (born 1388, Qiantang, Zhejiang province, China—died 1462), Chinese landscape painter of the Ming dynasty. Dai was one of the leaders in the early Ming revival of the Ma-Xia (after Ma Yuan and Xia Gui), or academic, style of landscape painting of the Southern Song (1127–1279), which came to be called the Zhe school (after Zhejiang province, in which Hangzhou, the Southern Song capital, was located). The Zhe school was later placed within the lineage of “professional” painters and held in lesser regard in contrast to the school of literary “amateurs,” who were more concerned with personal expression and who were then represented in the Wu school in which Shen Zhou held an equivalent place of leadership.” (<http://www.britannica.com/biography/Dai-Jin>) Xiongbo. Painted on silk, mounting identical with scroll (above), probably another copy of a well known original. The theme is a continuous procession of travellers with donkeys, travelling through a hilly, wooded landscape typical of China south of the Yang Tse. Note by Diana Wilkman (March 1958): "Main road from Wei river valley of Shensi province across mountains to Szechuan." Note by Rewi Alley: "This is a favourite composition of the road fromt eh NW down into Szechuan. From the old capital of Changan in Shannxi, actually, to what was then known as "Shu" and now we call Sichuan. "Shu Dao", Sichuan road." Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 119591 Physical Dimensions The actual physical size of the original image 310x65 mm (l x w) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: landscape Subject The topic of the resource One horizontal scroll landscape painting on silk with donkeys and travellers. Inscription as follows: 西蜀圖庚子春三月既望錢塘戴文進 (Scroll of Western Shu. In the spring of Gengzi year, mid-March, Dai Wenjin from Qiantang [paints]) Seals: Upper: ? Lower: 靜庵 (Jing An) Creator An entity primarily responsible for making the resource Dai Jin (1388-1462), likely copy Source A related resource from which the described resource is derived Rewi Alley http://rewialleyart.nz/files/original/5325b44acc69804fab825b256be75a2c.jpg 8d42ffdef930ed2e2a492964950ae3f8 http://rewialleyart.nz/files/original/a5c0add995a68a1cb62b7be5377df154.jpg 6fd7d048412cc419f90ec69e91e233e8 http://rewialleyart.nz/files/original/0c379bc1479860982780c81bfc2a281e.jpg c5c8b793b73bdeb117070edb541753a0 http://rewialleyart.nz/files/original/402f77f849842fc9c9983d3a2e991818.jpg 67a5ea9d37f9ec71a42de67c690e0ed7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1958.92 Notes ARTH Marsden 'Notes' element. Chinese inscription: 乙酉冬日為／少南仁兄法家校正／鏗衡尹相設色／時年六十有九 Inscription translation: In the winter of Yiyou year (1945?), for your hornor Shaonan. Yin Xiang painted (in colour) at the age of 69. Seals: top left: 鏗衡 (Keng Heng)，尹相 (Yin Xiang) bottom right: 鏗衡 (Keng Heng). Xiongbo. Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 117953 Physical Dimensions The actual physical size of the original image 363x45 mm (l x w) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: landscape Description An account of the resource Painted landscape on paper of mountains, water and hut. Inscription as follows: 乙酉冬日為／少南仁兄法家校正／鏗衡尹相設色／時年六十有九 (In the winter of Yiyou year [probably 1945], for your honour Shaonan. Yin Xiang painted in colour at the age of 69) Seals: top left: 鏗衡 (Keng Heng), 尹相 (Yin Xiang) bottom right: 鏗衡 (Keng Heng). Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Presented in 1958 by P.J. Alley to Canterbury Museum, from the home of Alley's late parents. http://rewialleyart.nz/files/original/213450739c05a173c797a79eb2ea4b53.jpg 9186665f4435b0c397d22c5025aefea9 http://rewialleyart.nz/files/original/5e915a17420f9d18310c30153750b16d.jpg 71fa149085ab40426b0bc707214e9116 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1958.89 Notes ARTH Marsden 'Notes' element. Original translation of inscription provided by Diana Wilkinson (Chi Mei) on 13/3/58 (lost). Loan - Duff-Hart-Smith 13/12/49 Painting commissioned by six Chinese colleagues (signatures top left) on occasion of transfer of Mr. Alley as inspector to another factory in Shanghai. Document has the code C.1958.89 typed above description of work. provenance note: A presentation painting from Chinese colleagues to Rewi Alley in Shanghai, July 1934. Two Chinese inscriptions: 1. Inscription on the top: 本會調查員英人艾黎君於本年七月十一日調升工廠檢查部服務，同人等與艾君共事多年，悉其對於中華書畫特具雅好，爰倩娄東名畫家蔣思澤君構作立軸一幀，以卜賞鑒並資紀念雲尓，時中華民國二十三年七月陳龍泉朱耕x 陳顯明金柏生沈海耿任石流敬贈 The British man Mr. Rewi Alley, an investigator of our union, will be transferred to the Inspection Department of the factory. We have worked with Mr. Alley for many years, all knowing that he has a keen interest in Chinese calligraphy and painting. Therefore, we commissioned this hanging scroll from Jiang Size, a famous painter in Loudong, for Alley and our friendship as well. In the July of the 23rd year of the Republic of China (1934). Chen Longquan, Zhu GengX, Chen Xianming, Jin Bosheng, Shen Haigeng, Ren Shiliu. Respectfully presented. 2. Inscription on the right: 高館依山築白雲時往回送迎都不必風雨卻能來有意未妨懶無心何用猜世人誰可到但指亂峰堆艾黎先生雅正娄東蔣思澤 Down the hillside are built a few elegant pavilions, white clouds coming and going away recurrently. Not necessary to greet and see off visitors; they will come despite the wind and rain. Those coming might as well ease their pace, Why should one speculate who has no intention. Distant clouds beginning to heap up, Who will arrive and join us? Would you kindly point out my inadequacies, Jiang Size of Loudong (Xiongbo) E144.58 ALLEY’S CAREER FROM 1927-1938: From 1927 to 1938, Rewi Alley first served as the Fire Inspection Officer (防火督察) and then Chief Industrial Inspector(工業督察長) in the Shanghai Municipal Council (工部局) within the Shanghai International Settlement (上海公共租界). The transferring of position mentioned in Alley’s colleague’s colophon must refer to his shift from the Fire Department to the industrial section of the Shanghai Municipal Council. For a discussion of the Shanghai International Settlement, see <https://en.wikipedia.org/wiki/Shanghai_International_Settlement> In 1927 Rewi Alley “felt that he was lucky to get a position in the fire brigade because there were so many Europeans withou a job...Later he was appointed inspection officer for the fire department and in 1932, when an industrial section of the Shanghai Municipal Council was established, he was appointed chief factory inspector.” (Willis Airey, 1970, p. 65). Period Chinese dynastic period. Republic of China (1911-1949) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 63507 Physical Dimensions The actual physical size of the original image 1135 x 435 mm (l x w) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: landscape Description An account of the resource One mounted painting on paper of landscape. Signature and seal of artist bottom left. Dedication to Alley top right. Signatures and seals of six friends, top left. Inscriptions as follows: 1. Top inscription: 本會調查員英人艾黎君於本年七月十一日調升工廠檢查部服務，同人等與艾君共事多年，悉其對於中華書畫特具雅好，爰倩娄東名畫家蔣思澤君構作立軸一幀，以卜賞鑒並資紀念雲尓，時中華民國二十三年七月陳龍泉朱耕x 陳顯明金柏生沈海耿任石流敬贈 The British man Mr. Rewi Alley, an investigator of our union, will be transferred to the Factory Inspection Department. We have worked with Mr. Alley for many years, all knowing that he has a keen interest in Chinese calligraphy and painting. Therefore, we commissioned this hanging scroll from Jiang Size, a famous painter in Loudong, for Alley and our friendship as well. In the July of the 23rd year of the Republic of China (1934). Chen Longquan, Zhu GengX, Chen Xianming, Jin Bosheng, Shen Haigeng, Ren Shiliu. Respectfully presented. 2. Lower inscription: 高館依山築白雲時往回送迎都不必風雨卻能來有意未妨懶無心何用猜世人誰可到但指亂峰堆艾黎先生雅正娄東蔣思澤 Source A related resource from which the described resource is derived C.M. Alley Creator An entity primarily responsible for making the resource Jiang Size Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. A presentation painting from Chinese colleagues to Rewi Alley in Shanghai, July 1934. Gifted to Canterbury Museum by Alley's mother, C.M. Alley, in 1944. Loaned to William Hart-Smith for exhibition in Timaru in 1949. Loaned to Margaret Garland (1903-1998) for an exhibition of Chinese art at The Architectural Centre Gallery, Wellington, and Auckland Art Gallery, in 1954. http://rewialleyart.nz/files/original/5962bbe7f26c2983d77020290f139db8.jpg 6818ef4a9237a7f6ebd6bb0c1ab99565 http://rewialleyart.nz/files/original/842d48ef9c3d61f1514a36fbb4ccf80d.jpg ff4e2ce242b6343a1506ae99de2f2b9c http://rewialleyart.nz/files/original/169b65e302165904fc53911c7e47e4e2.jpg e1723ea3deff9d5cf343bded35d9b6dc http://rewialleyart.nz/files/original/42ad834135095ac5ade45be8ea893775.jpg 9f14a97642b7baaa4013a2510bbbf873 http://rewialleyart.nz/files/original/05f6c4c014475e7d2213fbb72833c1bd.jpg 8f73ce2327d2385ffe4c68ba267e7508 http://rewialleyart.nz/files/original/cb45fd48307e5ebf8cfe77bd1ea3f84a.jpg df010c18d7be4db65b104687ee07e20a http://rewialleyart.nz/files/original/58bb6ea24386009514f9356cd8779214.jpg fe19793f39f20912ad512d645c8feacc http://rewialleyart.nz/files/original/7eac27e0b0b43ee997a7e161231e2a52.jpg 0b90eba232c983414fe0bbf7196140dc http://rewialleyart.nz/files/original/f0896484aee69f8ce0129b5241247e6d.jpg f57f3f61205336195ebd95d15941140c http://rewialleyart.nz/files/original/d420c507e9e674c3e81572d6c0482e70.jpg 624d89b82aa1b3e82374565506926cb7 http://rewialleyart.nz/files/original/35be1222c253286be338e7ccc570bfe2.jpg 405d320695e3a3d9ae72e9e73bfaae44 http://rewialleyart.nz/files/original/8b2daf85671370c9afd7fcf20a37f6d6.jpg 8d5ad3c92811d307e3b2f826c35b43c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1956.670 Notes ARTH Marsden 'Notes' element. The painting depicts the Taoist mountains and isles, which is closely interwoven with the Taoist theories of immortality. The long colophon reads like an explanation of the painting, describing five yue (high mountains), three shan (mountains or hills), and ten zhou (islands or isles). The literary content of the colophon is based on the Great Mystery (Taixuan太玄部) section of Taozang 道藏 (Taoist Canon) with many modifications. The long colophon is written by Aisin Gioro Hongwu 爱新觉罗·弘旿 (1743-1811), the grandson of Qing Dynasty Emperor Kangxi. Four seals at the end of the colophon: Two are from the calligrapher Aisin Gioro Hongwu: 1. 弘 (hong) 2. 瑤華道人 (yaohua daoren) Two are collector's seals: 1. 陳伯潛 (Chen Boqian) 2. 澄秋館鑒藏善書畫印 (Seals for Calligraphy and Painting Collection of Chengqiu Studio) Chen Boqian (1848-1935), more famously known as Chen Baochen, served as sub-chancellor in the Grand Secretariat and as vice president of the Board of Rites during the last years of Qing Dynasty. He also served as the tutor and advisor of the last emperor Pu Yi. The second seal also belongs to Chen Baochen. For more concerning Chen Baochen, see <https://en.wikipedia.org/wiki/Chen_Baochen> Chinese inscription: 海內有大五岳，一曰廣桑之山，天之東岳也，在東海之中，為發生之首，上有碧霞之闕，瓊樹之林，紫雀翠鸞，碧藕白橘，主歲星之精，居九氣青天之內。二曰長離之山，天之南岳也，上有朱宮絳闕，赤室丹房，紫草，紅芝，霞膏，金醴，主熒惑之精，居一氣丹天之內。三曰麗農之山，天之西岳也，在西海之中，上有白華之闕，三素之城，玉泉之宮，瓊林瑞獸主大白之精，居七氣素天之內。四曰廣野之山，天之西岳也，在北海弱水之中，上多瓊樓碧簌，金液龍芝，主辰星之精，居五氣玄天之內。五曰崑崙之山，天之中岳也，在八海之間，上當天心，形如偃蓋，東曰樊桐，西曰玄圃，南曰積石，北曰閭苑，上有瓊華之闕，光碧之堂，瑤池翠水，金井玉梁主鎮之，精居於中元一氣天中焉。又有三山。一曰蓬萊山，又名蓬丘，又名雲萊，在東海中，上有金臺之地，海水正黑而為溟渤，無風而波浪萬丈，不可往來，惟飛仙有到者，上有九氣丈人九天真王宮，蓋太山真人所居。一曰扶桑山，在東海中，山有木如桑，長者數千丈，大者三百圍，兩相扶倚，同根而生，故曰扶桑，椹子甘香赤色，千歲一實，仙人採食，體生金光，飛翔太空，有金鳳皇九色鳥，其鳳一鳴叫天下雞皆鳴，日即生x，上有天帝宮，太真東皇君所治處。一曰方丈山，又名鸞治東方龍場，方千里，玉瑤為林，雲色皆紫，在東海中心，四面x岸各五千里，上十群龍所聚，有金銀琉璃之宮，三天司命所治之處，有太元之宮，金漿玉髓，飲之長生，瑞禽奇木莫可名狀，群仙不欲升天者皆往來此島，上有九源丈人主領天下水神，龍蛇水獸。又有十洲。一曰生洲，在東海中，上有仙家萬眾，天氣安和，地無寒暑，安養萬物，仙草眾芝，水味如飴酪。一曰祖洲，在東海中，上有不死草，似菰，地生瓊田芝草，名養神芝，其狀如瓜苗，長數尺，人死三日以芝蓋面即活。一曰瀛洲，上有青州，立翠水二仙宫，生神芝仙草，又有玉石高千丈，出泉如酒味，名玉醴泉，又名玉膏，飲之長生；產昆吾之鐵，鍊石切玉如泥。一曰阮洲，在北海中，有玄澗，澗水味如蜜漿，飲之長生，與天地相畢。一曰炎洲，在南海中，四面烈焰亘天，海水騰沸，飛鳥不敢度，上有火林，山火鼠，毛長，仙人採為布，名活浣布，又有風生獸，青色如狸，雖死觸風即活。一曰鳳麟洲，在西海中，四面有弱水，毛羽不浮上，多麒麟鳳凰，上有青華之宮，丹林素府。一曰長洲，又名青丘，在南海中，多大樹，有仙草靈藥，甘液玉英，又有風山，恆震聲，有紫府宮，天真仙女遊於此。一曰流洲，在西海中，上有奇花異木，瑞草靈芝。一曰玄洲，在北海中，仙伯真公所治，上多太玄仙宮，金芝玉草。一曰聚窟洲，在西海中，上多真仙靈官，宮第及獅子辟邪，鑿齒天鹿，長牙銅頭，鉄額之獸，有大山形似人鳥，因名人鳥山，生返魂香樹，大如桐柏，花香聞數百里，鍊液為香，名驚精香，又名霹靂香，又名返生香，又名x檀香，又名欲死香，此六香神仙異物，人死聞氣即活 瑤華道人 Painted on paper depicting a series of peaks and islands, wooded and with temples, shown in water, and with individual inscriptions. Diana Wilkman's (March 1955) version of subject: "...the outstanding features of the landscape surrounded by the seas which encircle China (represented as a mountian in the middle, .. Middle Kingdom...) plus other scenery represented as the north, south, east and west mountains. A long inscription describes the scenes, the height of the mountain, and the life giving herbs growing on them." Note by Rewi Alley: "a fanciful conception of the world from very ancient times, painted by a Sung artist first, I think. Probably copied afterwareds. It isolates the various continents out in the sea. There was talk of a continent down south of China, even in Sung times, traded travelled far in Han." Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. Physical Dimensions The actual physical size of the original image Painting: 300x1195 (lxw) Colophons: 300x1580 & 300x2570 (lxw) System ID Canterbury Museum 'System ID' field. 119582 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: seascape Description An account of the resource One horizontal painting of a seascape with islands, which depicts the Taoist mountains and isles. The long colophon is an explanation of the painting, describing five yue (high mountains), three shan (mountains or hills), and ten zhou (islands). The literary content of the colophon is based on the Great Mystery (Taixuan太玄部) section of Taozang 道藏 (Taoist Canon) with many modifications. Written by Aisin Gioro Hongwu 爱新觉罗·弘旿 (1743-1811), grandson of Qing Dynasty Emperor Kangxi. Four seals at the end of the colophon: Two belong to the calligrapher Aisin Gioro Hongwu: 1. 弘 (hong) 2. 瑤華道人 (yaohua daoren) Two are collector's seals: 1. 陳伯潛 (Chen Boqian) 2. 澄秋館鑒藏善書畫印 (Seals for Calligraphy and Painting Collection of Chengqiu Studio) Inscription as follows: 海內有大五岳，一曰廣桑之山，天之東岳也，在東海之中，為發生之首，上有碧霞之闕，瓊樹之林，紫雀翠鸞，碧藕白橘，主歲星之精，居九氣青天之內。二曰長離之山，天之南岳也，上有朱宮絳闕，赤室丹房，紫草，紅芝，霞膏，金醴，主熒惑之精，居一氣丹天之內。三曰麗農之山，天之西岳也，在西海之中，上有白華之闕，三素之城，玉泉之宮，瓊林瑞獸主大白之精，居七氣素天之內。四曰廣野之山，天之西岳也，在北海弱水之中，上多瓊樓碧簌，金液龍芝，主辰星之精，居五氣玄天之內。五曰崑崙之山，天之中岳也，在八海之間，上當天心，形如偃蓋，東曰樊桐，西曰玄圃，南曰積石，北曰閭苑，上有瓊華之闕，光碧之堂，瑤池翠水，金井玉梁主鎮之，精居於中元一氣天中焉。又有三山。一曰蓬萊山，又名蓬丘，又名雲萊，在東海中，上有金臺之地，海水正黑而為溟渤，無風而波浪萬丈，不可往來，惟飛仙有到者，上有九氣丈人九天真王宮，蓋太山真人所居。一曰扶桑山，在東海中，山有木如桑，長者數千丈，大者三百圍，兩相扶倚，同根而生，故曰扶桑，椹子甘香赤色，千歲一實，仙人採食，體生金光，飛翔太空，有金鳳皇九色鳥，其鳳一鳴叫天下雞皆鳴，日即生x，上有天帝宮，太真東皇君所治處。一曰方丈山，又名鸞治東方龍場，方千里，玉瑤為林，雲色皆紫，在東海中心，四面x岸各五千里，上十群龍所聚，有金銀琉璃之宮，三天司命所治之處，有太元之宮，金漿玉髓，飲之長生，瑞禽奇木莫可名狀，群仙不欲升天者皆往來此島，上有九源丈人主領天下水神，龍蛇水獸。又有十洲。一曰生洲，在東海中，上有仙家萬眾，天氣安和，地無寒暑，安養萬物，仙草眾芝，水味如飴酪。一曰祖洲，在東海中，上有不死草，似菰，地生瓊田芝草，名養神芝，其狀如瓜苗，長數尺，人死三日以芝蓋面即活。一曰瀛洲，上有青州，立翠水二仙宫，生神芝仙草，又有玉石高千丈，出泉如酒味，名玉醴泉，又名玉膏，飲之長生；產昆吾之鐵，鍊石切玉如泥。一曰阮洲，在北海中，有玄澗，澗水味如蜜漿，飲之長生，與天地相畢。一曰炎洲，在南海中，四面烈焰亘天，海水騰沸，飛鳥不敢度，上有火林，山火鼠，毛長，仙人採為布，名活浣布，又有風生獸，青色如狸，雖死觸風即活。一曰鳳麟洲，在西海中，四面有弱水，毛羽不浮上，多麒麟鳳凰，上有青華之宮，丹林素府。一曰長洲，又名青丘，在南海中，多大樹，有仙草靈藥，甘液玉英，又有風山，恆震聲，有紫府宮，天真仙女遊於此。一曰流洲，在西海中，上有奇花異木，瑞草靈芝。一曰玄洲，在北海中，仙伯真公所治，上多太玄仙宮，金芝玉草。一曰聚窟洲，在西海中，上多真仙靈官，宮第及獅子辟邪，鑿齒天鹿，長牙銅頭，鉄額之獸，有大山形似人鳥，因名人鳥山，生返魂香樹，大如桐柏，花香聞數百里，鍊液為香，名驚精香，又名霹靂香，又名返生香，又名x檀香，又名欲死香，此六香神仙異物，人死聞氣即活瑤華道人 Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Chen Boqian (1848-1935), more famously known as Chen Baochen, served as sub-chancellor in the Grand Secretariat and as vice-president of the Board of Rites during the last years of the Qing Dynasty. He also served as tutor and advisor to the last emperor Pu Yi. Both collector's seals belong to Chen Baochen. http://rewialleyart.nz/files/original/03554e41be0720d08a8a7e5d5a7f1113.jpg 6134173327c1a3f0f814dcaeeacaabf5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1957.1038 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 116797 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: three figures Description An account of the resource One painting on paper of a central Buddhist figure seated on a lotus throne flanked by one figure either side. Source A related resource from which the described resource is derived Rewi Alley http://rewialleyart.nz/files/original/dd9aff1f464a9a5866fbb4b648110ca2.jpg ba3de7e303713003f5b0ab123b42dd2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1972.466 Period Chinese dynastic period. Qing Dynasty (1644-1911) Notes ARTH Marsden 'Notes' element. Inscription: 端陽前一日寫應子元仁棣大人屬即正漣波剛清 English translation: Dedicated to Ziyuan, painted a day before the Dragon Boat Festival. Lianbo, Gangqing. (Xiongbo) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 114997 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting: traveller Description An account of the resource One circular album painting on silk mounted on square of paper depicting traveller on donkey in snow with attendant. Inscription as follows: 端陽前一日寫應子元仁棣大人屬即正漣波剛清 (Dedicated to Ziyuan, painted a day before the Dragon Boat Festival. Lianbo, Gangqin) Source A related resource from which the described resource is derived Rewi Alley http://rewialleyart.nz/files/original/5b492e95cd484d027dbfbf7e1866c18c.jpg 8e8ebf570b8f8a65924e0033e4c0928f http://rewialleyart.nz/files/original/b572ddf4c62fe798a2a8f7c319b554f7.jpg 13e8c25d3d81f4d668ecf779c9684637 http://rewialleyart.nz/files/original/c7b8a95600815f475c60e2b38db47fac.jpg e204c080d8cb535ebbff020dd9525a38 http://rewialleyart.nz/files/original/8bc255acc5d9e1c85501cbe99c794c43.jpg 3d55f71fdf2ac1f9a20670c82cce6231 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1958.95.1; C1958.95.2; C1958.95.3; C1958.95.4 Notes ARTH Marsden 'Notes' element. 1958.79.5 Physical Dimensions The actual physical size of the original image 320x290 (Image), 453x436 (Closed Scroll); 315x315 (Image), 412x437 (Closed Scroll); 312x319 (Image), 450x436 (Closed Scroll); 291x310 (Image), 435x430 (Closed Scroll) (All l x w) Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 117957; 814936; 814937; 814938 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paintings: landscape Description An account of the resource Four paintings on bamboo of landscapes. http://rewialleyart.nz/files/original/2ff4f7432ac3a5db4f24891097207f90.jpg 31a464273195247f8a020da7f772382a http://rewialleyart.nz/files/original/3abc0d0e638869a58186e83f982e4a0b.jpg f4917c6f2bddee51ae37aac2155111ad http://rewialleyart.nz/files/original/2d996845a9306f9bc737cbb57bd2b103.jpg 79963407a2ea64239ca58aa53a84cf7f http://rewialleyart.nz/files/original/a0ab95b5f43a9162b4edec2f24b66acb.jpg 656e6623213c1adb7db09924df20a1b7 http://rewialleyart.nz/files/original/565b97b71fdbcc10f8c7eefe877f70f0.jpg 4ee33d814075690ec3a7ab1866c5d62e http://rewialleyart.nz/files/original/0827181a70832b9d47c5de5c8aa040f5.jpg c41edfc32a208c2a051e40a98a224b31 http://rewialleyart.nz/files/original/72c3d0274dac2128ba901fe120634531.jpg 11f2de678f539e544aafa5b4d4d9ca3e http://rewialleyart.nz/files/original/d61aed4bd11c39717e5fe4acc7274c02.jpg 2d92ab26b636366d103869fec6073a77 http://rewialleyart.nz/files/original/67f3b8f91902ed3b7524b15b533f3022.jpg 63570b868d0be8cd1564f050b40dc8b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. C1958.150 Notes ARTH Marsden 'Notes' element. Qing Dynasty? Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 13221 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prints: botanical Description An account of the resource One folio of eight botanical woodblock prints. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Given by the Palace Museum, Beijing, to Canterbury Museum, in 1958. Carried by Trevor Gebbie. http://rewialleyart.nz/files/original/0b5d10600d9501899fa50fb336918aa2.jpg 8f5fa9bee38b7322459736d97a8463c3 http://rewialleyart.nz/files/original/a0a4b35cb73cb6a7b0a6bed91ac3709b.jpg bdfb78f7042a80facb04773a4709a428 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.3 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814928 Physical Dimensions The actual physical size of the original image 610x322mm (lxw) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: figure Source A related resource from which the described resource is derived Rewi Alley Description An account of the resource One rubbing of Confucius. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted to Canterbury Museum by Alley in 1937 during a visit to New Zealand. http://rewialleyart.nz/files/original/b27948ec48ab2f9712bd1468fb7cd7e9.jpg fe727ec56551bd8c465503ae51ad840f http://rewialleyart.nz/files/original/4ccdcefb983b932cd7132954a8e9da17.jpg f12dc13a6cc97704223c8ac71c8d008a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.14 Notes ARTH Marsden 'Notes' element. In the vernon record, this work was titled “rolls: 2 of Confucius”. Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814929 Physical Dimensions The actual physical size of the original image 1100x530mm (lxw) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: figure Source A related resource from which the described resource is derived Rewi Alley Description An account of the resource One rubbing of Bodhidharma http://rewialleyart.nz/files/original/e3791ec14f08b956281f5e260b353798.jpg fb8d5b06436a12f8a844327acebd1f2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.1 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814921 Physical Dimensions The actual physical size of the original image 585x440mm (lxw) Notes ARTH Marsden 'Notes' element. Name of the horse: Salu zi (颯露紫), literally "whirlwind dew purple", may be translated as "Whirlwind purple horse of the brave." Inscriptions: 氣讋三川，威凌八陣，紫燕超躍，骨騰神駿。平東都時乘。西第一紫燕騮前中一箭。 "Its force holds the Three Rivers in awe; its strength overwhelms the Eight Battle Formation. It leapt like a purple martin, prancing forward as a divine horse. Ridden [by Emperor Taizong while pacifying the Eastern capital [of Luoyang]. This purple horse came first, located to the west [of the mausoleum], with its chest shot by an arrow." Xiongbo (19/10/2017) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: horse Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted to Canterbury Museum by Alley on a visit to New Zealand in 1937. Description An account of the resource One rubbing of a figure and horse. http://rewialleyart.nz/files/original/38cd8be46f8e669991dec435458a6d9e.jpg 7a4e86e6a3a7fbfd03a705113e287833 http://rewialleyart.nz/files/original/a97d9032542452d431f637a9af238835.jpg 62e62ad11c501f132d50ca9cf67a319e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.9 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. Physical Dimensions The actual physical size of the original image 585x437mm (lxw) System ID Canterbury Museum 'System ID' field. 814922 Notes ARTH Marsden 'Notes' element. Name of the horse: quanmao gua 拳毛騧 (curly-haired sandy horse). These six rubbings are of copies of the relief sculptures commissioned by Emperor Taizong for his mausoleum. Four of the sculptures are in the Forest of Stones, Xian, and two are held in the Penn Museum Xiongbo (19/10/2017) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: horse Source A related resource from which the described resource is derived Rewi Alley Description An account of the resource One rubbing of a horse. http://rewialleyart.nz/files/original/f02530b28d420920b082fec964af0873.jpg cd3a105be8a2fbfd17cc97f5bc34e283 http://rewialleyart.nz/files/original/2e4cead270de9e0ce5db30b8e37780f5.jpg c55ee290d9a80a0e53bb8fe244ad9267 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.10 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. Physical Dimensions The actual physical size of the original image 585x437mm (lxw) System ID Canterbury Museum 'System ID' field. 814923 Notes ARTH Marsden 'Notes' element. name of the horse as shown in the inscription: te le biao 特勒驃 (yellow white-speckled horse). Xiongbo, 19/10/2017 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: horse Source A related resource from which the described resource is derived Rewi Alley Description An account of the resource One rubbing of a horse. http://rewialleyart.nz/files/original/39be2ae1f07e846eecf124f7e713c466.jpg 57c5bbb4067118eae22de4595ff46d82 http://rewialleyart.nz/files/original/4ba36fc3940bc84e80341d891631e4d9.jpg 75622acdec2c7b987e926bf2d45de1b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.11 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814924 Physical Dimensions The actual physical size of the original image 585x437mm (lxw) Notes ARTH Marsden 'Notes' element. Name of the horse as shown in the inscription: qing zhui 青騅 (horse of mixed grey color) Xiongbo, 19/10/17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: horse Source A related resource from which the described resource is derived Rewi Alley Description An account of the resource One rubbing of a horse. http://rewialleyart.nz/files/original/c26fe8326de956b14316d85019e548c9.jpg c32eb8d40414d6051166040f79807c52 http://rewialleyart.nz/files/original/058611696a632b9945d3a73f14521dfa.jpg 3c48f49a01ebb1a849c46b653afccced Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.12 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. Physical Dimensions The actual physical size of the original image 585x480mm (lxw) System ID Canterbury Museum 'System ID' field. 814925 Notes ARTH Marsden 'Notes' element. name of the horse as shown in the inscription: shi fa chi 什伐赤 (Numerous Warlike Expedition Red Horse). Xiongbo, 19/10/17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: horse Source A related resource from which the described resource is derived Rewi Alley Description An account of the resource One rubbing of a horse. http://rewialleyart.nz/files/original/ce120d51a2e8fc7916f3ce0f968f7f5b.jpg c1b4012ea7f4b18e7edd05c1df375337 http://rewialleyart.nz/files/original/188551e947b277026258aa3d5c5aa542.jpg ee552a5b86129642d75efae1ccc8154c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.13 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. Physical Dimensions The actual physical size of the original image 583x438mm (lxw) System ID Canterbury Museum 'System ID' field. 814926 Notes ARTH Marsden 'Notes' element. Name of the horse as shown in the inscription: bai ti wu 白蹄烏 (white-hoofed Black Horse). Xiongbo, 19/10/17. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: horse Source A related resource from which the described resource is derived Rewi Alley Description An account of the resource One rubbing of a horse. http://rewialleyart.nz/files/original/6870b3030ec1a517550111169025d242.jpg 95392b71ada084a8072fbabe7fe513a3 http://rewialleyart.nz/files/original/aaf07f45cdb842acf50a6fa4c8bf86e0.jpg fcf40bf162dce3109919efde9b2a3c58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77D Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. System ID Canterbury Museum 'System ID' field. 814930 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: plants Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted to Canterbury Museum by Alley on a visit to New Zealand in 1937. Loaned to the poet William Hart-Smith (1911-1990), who worked in adult education in South Canterbury in 1949. Description An account of the resource One rubbing of bamboo and other plants. http://rewialleyart.nz/files/original/e2919cba8f827c07e0f85a95c06c01da.jpg 86dbbe9684d28570365f5693390dba7b http://rewialleyart.nz/files/original/5694344a118ac963ebbbd3544e0d4a42.jpg 3be114cdf4ddccda80b44f4ead5bc3cb http://rewialleyart.nz/files/original/5f690dd21af40e15c21b7522a9397d03.jpg 64b09765ff999bdbbc4f0d738403ea38 http://rewialleyart.nz/files/original/a1868d5270c94e7cea0dcaeda8f62bd9.jpg a0fc54121b3b90318c325baf1f5e1319 http://rewialleyart.nz/files/original/28e93d5125061efc88372db9f6b83693.jpg 2b3a42acbd378b0f83db86ff2a136d09 http://rewialleyart.nz/files/original/3951d3b4e83f2772fe4d214b73fa0e63.jpg 87105115f7ef2ed7b6fbf84b82885eb4 http://rewialleyart.nz/files/original/7d943c0d39e12cc5c7acb5eab91b5dee.jpg 1ae019c2975c1146ab6e4014f25288ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting and calligraphy Subject The topic of the resource Calligraphy collection: subject. Description An account of the resource Calligraphy collection: description. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Museum Ac. No. ARTH Marsden 'Museum Ac. No.' element. E137.77.2 Usage Rights Copyright details To order a copy of this image please contact Canterbury Museum on images@canterburymuseum.com. The information on this page was created from historic documentation and may not reflect the best available knowledge about the item. If you have information or questions about the objects on this website, please contact Canterbury Museum. Images may be subject to copyright laws and are therefore not of reproduction quality. Notes ARTH Marsden 'Notes' element. LT019 E137.77B Period Chinese dynastic period. Original stele - Tang dynasty (618-906) Physical Dimensions The actual physical size of the original image 2390 x 880mm (L x W) System ID Canterbury Museum 'System ID' field. 814927 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubbing: stele Source A related resource from which the described resource is derived Rewi Alley Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gifted to Canterbury Museum by Alley on a visit to New Zealand in 1937. Loaned to the poet William Hart-Smith (1911-1990), who worked in adult education in South Canterbury in 1949. Description An account of the resource One rubbing of the 'Nestorian Stele' in Xian.